Sunday, July 31, 2011

Rabindranath Tagore and poetry about our place in the diversity of nature


For the 150th anniversary of the birth of visionary polymath Rabindranath Tagore, Mark Tully presents a special edition of Something Understood exploring Tagore's vision of the unity of all creation.
Tagore was a Nobel prize winning poet, author, musician artist and philosopher. He argued for the essential 'oneness' of humanity and aimed to heal the divisions between East and West, science and spirituality and man and nature. Mark Tully asks what we can learn from Tagore's belief that 'truth implies unity, a unity expressed through many and varied manifestations, a unity which, when we are able to realise it, gives us freedom'.
Mark speaks to Vandana Shiva, a philosopher, physicist, and globally renowned environmental campaigner, who explains her understanding of Tagore's concept of the universal.
We hear music from around the world - from sarode player Wajahat Khan to Purcell's 'Ode to St Cecelia'. And we learn that Gustav Holst immersed himself in Hindu mysticism and spirituality. His series of choral hymns from the Rig Veda, the oldest of the Hindu scriptures, was the outcome of that experience. Readings come from William Cullen Bryant - an American romantic poet inspired by the wildness of the forest, Jean-Paul Sartre and, of course, from Tagore himself.
A Forest Hymn
  THE GROVES were God's first temples. Ere man learned
To hew the shaft, and lay the architrave,
And spread the roof above them—ere he framed
The lofty vault, to gather and roll back
The sound of anthems; in the darkling wood,         5
Amidst the cool and silence, he knelt down,
And offered to the Mightiest solemn thanks
And supplication. For his simple heart
Might not resist the sacred influences
Which, from the stilly twilight of the place,  10
And from the gray old trunks that high in heaven
Mingled their mossy boughs, and from the sound
Of the invisible breath that swayed at once
All their green tops, stole over him, and bowed
His spirit with the thought of boundless power  15
And inaccessible majesty. Ah, why
Should we, in the world's riper years, neglect
God's ancient sanctuaries, and adore
Only among the crowd, and under roofs
That our frail hands have raised? Let me, at least,  20
Here, in the shadow of this aged wood,
Offer one hymn—thrice happy if it find
Acceptance in His ear.
  
            Father, thy hand
Hath reared these venerable columns, thou  25
Didst weave this verdant roof. Thou didst look down
Upon the naked earth, and, forthwith, rose
All these fair ranks of trees. They, in thy sun,
Budded, and shook their green leaves in thy breeze,
And shot towards heaven. The century-living crow,  30
Whose birth was in their tops, grew old and died
Among their branches, till, at last, they stood,
As now they stand, massy, and tall, and dark,
Fit shrine for humble worshipper to hold
Communion with his Maker. These dim vaults,  35
These winding aisles, of human pomp or pride
Report not. No fantastic carvings show
The boast of our vain race to change the form
Of thy fair works. But thou art here—thou fill'st
The solitude. Thou art in the soft winds  40
That run along the summit of these trees
In music; thou art in the cooler breath
That from the inmost darkness of the place
Comes, scarcely felt; the barky trunks, the ground,
The fresh moist ground, are all instinct with thee.  45
Here is continual worship;—Nature, here,
In the tranquillity that thou dost love,
Enjoys thy presence. Noiselessly, around,
From perch to perch, the solitary bird
Passes; and yon clear spring, that, midst its herbs,  50
Wells softly forth and wandering steeps the roots
Of half the mighty forest, tells no tale
Of all the good it does. Thou hast not left
Thyself without a witness, in these shades,
Of thy perfections. Grandeur, strength, and grace,  55
Are here to speak of thee. This mighty oak,—
By whose immovable stem I stand and seem
Almost annihilated—not a prince,
In all that proud old world beyond the deep,
E'er wore his crown as loftily as he  60
Wears the green coronal of leaves with which
Thy hand has graced him. Nestled at his root
Is beauty, such as blooms not in the glare
Of the broad sun. That delicate forest flower,
With scented breath and look so like a smile,  65
Seems, as it issues from the shapeless mould,
An emanation of the indwelling Life,
A visible token of the upholding Love,
That are the soul of this great universe.
  
  My heart is awed within me when I think  70
Of the great miracle that still goes on,
In silence, round me—the perpetual work
Of thy creation, finished, yet renewed
Forever. Written on thy works I read
The lesson of thy own eternity.  75
Lo! all grow old and die—but see again,
How on the faltering footsteps of decay
Youth presses,—ever-gay and beautiful youth
In all its beautiful forms. These lofty trees
Wave not less proudly that their ancestors  80
Moulder beneath them. O, there is not lost
One of earth's charms: upon her bosom yet,
After the flight of untold centuries,
The freshness of her far beginning lies
And yet shall lie. Life mocks the idle hate  85
Of his arch-enemy Death—yea, seats himself
Upon the tyrant's throne—the sepulchre,
And of the triumphs of his ghastly foe
Makes his own nourishment. For he came forth
From thine own bosom, and shall have no end.  90
  
  There have been holy men who hid themselves
Deep in the woody wilderness, and gave
Their lives to thought and prayer, till they outlived
The generation born with them, nor seemed
Less aged than the hoary trees and rocks  95
Around them;—and there have been holy men
Who deemed it were not well to pass life thus.
But let me often to these solitudes
Retire, and in thy presence reassure
My feeble virtue. Here its enemies, 100
The passions, at thy plainer footsteps shrink
And tremble and are still. O God! when thou
Dost scare the world with tempests, set on fire
The heavens with falling thunderbolts, or fill,
With all the waters of the firmament, 105
The swift dark whirlwind that uproots the woods
And drowns the villages; when, at thy call,
Uprises the great deep and throws himself
Upon the continent, and overwhelms
Its cities—who forgets not, at the sight 110
Of these tremendous tokens of thy power,
His pride, and lays his strifes and follies by?
O, from these sterner aspects of thy face
Spare me and mine, nor let us need the wrath
Of the mad, unchainèd elements to teach 115
Who rules them. Be it ours to meditate,
In these calm shades, thy milder majesty,
And to the beautiful order of thy works
Learn to conform the order of our lives.


3 comments:

  1. What a great post and link to the story of R. Tagore. I had not heard of him before, but what an accomplished and universal man he was. His thoughts about the oneness of the universe and our rightful place and appropriate role in it resonated with me. And the national anthem he composed for India is STUNNINTG!

    He writes so eloquently about some of what I experienced in the forest cathedral. I think we even spoke in hushed tones, as if in a church, when we walked among those trees. This line-- the great miracle that still goes on, In silence, round me—the perpetual work Of thy creation-- impressed me very much. Creation is perpetual and ever changing and for our sake has been consistent and renewing. I am NOT the center of the universe and the hymn of creation goes on with or without my awareness. However, I am blessed when I am aware and in harmony with creation's hymn.

    --And to the beautiful order of thy works
    Learn to conform the order of our lives-- what I would've missed if I didn't look up and around when walking through the forest cathedral--not just look, but think and feel and inhale and meditate and "learn to conform the order of my life" by the powerful example of what I see.

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  2. I thought this would resonate with you both .It is strange how you can feel so small and insignificant and yet so much part of things when we are still and let our hearts breathe in creation of all kinds .From the programme on Tagore I'd like 2 know more as his inclusive philosophy that embraces diversity really echoes in many aspects of life.

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  3. When we hiked accross open fields in the Cotswolds, i remember being in awe of grand solitary trees that must have survived centuries of human history. To me they represented a living link to the past and made me aware that their beauty must have touched the hearts of so many before me, thus ensuring (i hope) that they will not die by the human hand. I see trees as living memorials to human stories and agree with the poem's author that they serve a divine purpose.

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