Tagore was a Nobel prize winning poet, author, musician artist and philosopher. He argued for the essential 'oneness' of humanity and aimed to heal the divisions between East and West, science and spirituality and man and nature. Mark Tully asks what we can learn from Tagore's belief that 'truth implies unity, a unity expressed through many and varied manifestations, a unity which, when we are able to realise it, gives us freedom'.
Mark speaks to Vandana Shiva, a philosopher, physicist, and globally renowned environmental campaigner, who explains her understanding of Tagore's concept of the universal.
We hear music from around the world - from sarode player Wajahat Khan to Purcell's 'Ode to St Cecelia'. And we learn that Gustav Holst immersed himself in Hindu mysticism and spirituality. His series of choral hymns from the Rig Veda, the oldest of the Hindu scriptures, was the outcome of that experience. Readings come from William Cullen Bryant - an American romantic poet inspired by the wildness of the forest, Jean-Paul Sartre and, of course, from Tagore himself.
A Forest Hymn |
THE GROVES were God's first temples. Ere man learned | |
To hew the shaft, and lay the architrave, | |
And spread the roof above them—ere he framed | |
The lofty vault, to gather and roll back | |
The sound of anthems; in the darkling wood, | 5 |
Amidst the cool and silence, he knelt down, | |
And offered to the Mightiest solemn thanks | |
And supplication. For his simple heart | |
Might not resist the sacred influences | |
Which, from the stilly twilight of the place, | 10 |
And from the gray old trunks that high in heaven | |
Mingled their mossy boughs, and from the sound | |
Of the invisible breath that swayed at once | |
All their green tops, stole over him, and bowed | |
His spirit with the thought of boundless power | 15 |
And inaccessible majesty. Ah, why | |
Should we, in the world's riper years, neglect | |
God's ancient sanctuaries, and adore | |
Only among the crowd, and under roofs | |
That our frail hands have raised? Let me, at least, | 20 |
Here, in the shadow of this aged wood, | |
Offer one hymn—thrice happy if it find | |
Acceptance in His ear. | |
Father, thy hand | |
Hath reared these venerable columns, thou | 25 |
Didst weave this verdant roof. Thou didst look down | |
Upon the naked earth, and, forthwith, rose | |
All these fair ranks of trees. They, in thy sun, | |
Budded, and shook their green leaves in thy breeze, | |
And shot towards heaven. The century-living crow, | 30 |
Whose birth was in their tops, grew old and died | |
Among their branches, till, at last, they stood, | |
As now they stand, massy, and tall, and dark, | |
Fit shrine for humble worshipper to hold | |
Communion with his Maker. These dim vaults, | 35 |
These winding aisles, of human pomp or pride | |
Report not. No fantastic carvings show | |
The boast of our vain race to change the form | |
Of thy fair works. But thou art here—thou fill'st | |
The solitude. Thou art in the soft winds | 40 |
That run along the summit of these trees | |
In music; thou art in the cooler breath | |
That from the inmost darkness of the place | |
Comes, scarcely felt; the barky trunks, the ground, | |
The fresh moist ground, are all instinct with thee. | 45 |
Here is continual worship;—Nature, here, | |
In the tranquillity that thou dost love, | |
Enjoys thy presence. Noiselessly, around, | |
From perch to perch, the solitary bird | |
Passes; and yon clear spring, that, midst its herbs, | 50 |
Wells softly forth and wandering steeps the roots | |
Of half the mighty forest, tells no tale | |
Of all the good it does. Thou hast not left | |
Thyself without a witness, in these shades, | |
Of thy perfections. Grandeur, strength, and grace, | 55 |
Are here to speak of thee. This mighty oak,— | |
By whose immovable stem I stand and seem | |
Almost annihilated—not a prince, | |
In all that proud old world beyond the deep, | |
E'er wore his crown as loftily as he | 60 |
Wears the green coronal of leaves with which | |
Thy hand has graced him. Nestled at his root | |
Is beauty, such as blooms not in the glare | |
Of the broad sun. That delicate forest flower, | |
With scented breath and look so like a smile, | 65 |
Seems, as it issues from the shapeless mould, | |
An emanation of the indwelling Life, | |
A visible token of the upholding Love, | |
That are the soul of this great universe. | |
My heart is awed within me when I think | 70 |
Of the great miracle that still goes on, | |
In silence, round me—the perpetual work | |
Of thy creation, finished, yet renewed | |
Forever. Written on thy works I read | |
The lesson of thy own eternity. | 75 |
Lo! all grow old and die—but see again, | |
How on the faltering footsteps of decay | |
Youth presses,—ever-gay and beautiful youth | |
In all its beautiful forms. These lofty trees | |
Wave not less proudly that their ancestors | 80 |
Moulder beneath them. O, there is not lost | |
One of earth's charms: upon her bosom yet, | |
After the flight of untold centuries, | |
The freshness of her far beginning lies | |
And yet shall lie. Life mocks the idle hate | 85 |
Of his arch-enemy Death—yea, seats himself | |
Upon the tyrant's throne—the sepulchre, | |
And of the triumphs of his ghastly foe | |
Makes his own nourishment. For he came forth | |
From thine own bosom, and shall have no end. | 90 |
There have been holy men who hid themselves | |
Deep in the woody wilderness, and gave | |
Their lives to thought and prayer, till they outlived | |
The generation born with them, nor seemed | |
Less aged than the hoary trees and rocks | 95 |
Around them;—and there have been holy men | |
Who deemed it were not well to pass life thus. | |
But let me often to these solitudes | |
Retire, and in thy presence reassure | |
My feeble virtue. Here its enemies, | 100 |
The passions, at thy plainer footsteps shrink | |
And tremble and are still. O God! when thou | |
Dost scare the world with tempests, set on fire | |
The heavens with falling thunderbolts, or fill, | |
With all the waters of the firmament, | 105 |
The swift dark whirlwind that uproots the woods | |
And drowns the villages; when, at thy call, | |
Uprises the great deep and throws himself | |
Upon the continent, and overwhelms | |
Its cities—who forgets not, at the sight | 110 |
Of these tremendous tokens of thy power, | |
His pride, and lays his strifes and follies by? | |
O, from these sterner aspects of thy face | |
Spare me and mine, nor let us need the wrath | |
Of the mad, unchainèd elements to teach | 115 |
Who rules them. Be it ours to meditate, | |
In these calm shades, thy milder majesty, | |
And to the beautiful order of thy works | |
Learn to conform the order of our lives. |
What a great post and link to the story of R. Tagore. I had not heard of him before, but what an accomplished and universal man he was. His thoughts about the oneness of the universe and our rightful place and appropriate role in it resonated with me. And the national anthem he composed for India is STUNNINTG!
ReplyDeleteHe writes so eloquently about some of what I experienced in the forest cathedral. I think we even spoke in hushed tones, as if in a church, when we walked among those trees. This line-- the great miracle that still goes on, In silence, round me—the perpetual work Of thy creation-- impressed me very much. Creation is perpetual and ever changing and for our sake has been consistent and renewing. I am NOT the center of the universe and the hymn of creation goes on with or without my awareness. However, I am blessed when I am aware and in harmony with creation's hymn.
--And to the beautiful order of thy works
Learn to conform the order of our lives-- what I would've missed if I didn't look up and around when walking through the forest cathedral--not just look, but think and feel and inhale and meditate and "learn to conform the order of my life" by the powerful example of what I see.
I thought this would resonate with you both .It is strange how you can feel so small and insignificant and yet so much part of things when we are still and let our hearts breathe in creation of all kinds .From the programme on Tagore I'd like 2 know more as his inclusive philosophy that embraces diversity really echoes in many aspects of life.
ReplyDeleteWhen we hiked accross open fields in the Cotswolds, i remember being in awe of grand solitary trees that must have survived centuries of human history. To me they represented a living link to the past and made me aware that their beauty must have touched the hearts of so many before me, thus ensuring (i hope) that they will not die by the human hand. I see trees as living memorials to human stories and agree with the poem's author that they serve a divine purpose.
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