What would they be ?
Here is a response from Scilla Elworthy peace and human rights trust founder Oxford Research Group and Peace Direct
“You're the same today as you'll be in five years except for the people you meet and the books you read.” - Charlie "Tremendous" Jones
I
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.
II
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
III
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too, -
While barred clouds bloom the soft-dying day,
And touch the stubble plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
REMEMBER me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go, yet turning stay. Remember me when no more day by day You tell me of our future that you plann'd: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad.
Christina Rossetti
“I am from”
Got this idea from the radio show and blog "ON BEING." Let’s use this incomplete line as an opportunity to share and learn about each other, have a little fun.
Here are the guidelines: answer it any way you like. If you want to build on this phrase in prose — with one word, one sentence, one paragraph, one essay, then do so. If you want to finish this phrase with a photo or a photo essay, then do it. If you want to elaborate on this phrase with a line of poesy or a stanza, then do so.
Share something about yourself, your heritage, your geography, your interior mind, your imaginings or vulnerabilities.
WHEN the long day’s tramp is over, when the journey’s done, |
I shall dip down from some hill-top at the going down o’ the sun, |
And turn in at the open door, and lay down staff and load, |
And wash me clean of the heat o’ day, and white dust o’ the road. |
There shall I hear the restless wind go wandering to and fro. |
That sings the old wayfaring song—the tune that the stars know; |
Soft shall I lie and well content, and I shall ask no more |
Than just to drowse and watch the folk turn in at the open door. |
To hail the folk I used to know, that trudged with me in the dust, |
That warmed their hands at the same fire, and ate o’ the same crust, |
To know them safe from the cold wind and the drenching rain, |
Turn a little, and wake a little, and so to sleep again. |
Overnight, very Whitely,
discreetly, Very quietly
Our toes, our noses
Take hold on the loam,
Acquire the air.
Nobody sees us, Stops us,
betrays us;
The small grains make room.
Soft fists insist on
Heaving the needles,
The leafy bedding,
Even the paving.
Our hammers, our rams,
Earless and eyeless,
Perfectly voiceless,
Widen the crannies,
Shoulder through holes.
We diet on water,
On crumbs of shadow,
Bland-mannered,
asking
Little or nothing.
So many of us!
So many of us!
We are shelves,
we are Tables,
we are meek,
We are edible,
Nudgers and shovers
In spite of ourselves.
Our kind multiplies:
We shall by morning
Inherit the earth.
Our foot's in the door.
Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.
Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit’s carnal ecstasy.
Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreaded cards foretell,
Shall be paid, but from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.
Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find our mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.
Pity would be no more
If we did not make somebody poor;
And Mercy no more could be
If all were as happy as we.
And mutual fear brings Peace,
Till the selfish loves increase:
Then Cruelty knits a snare,
And spreads his baits with care.
He sits down with holy fears,
And waters the grounds with tears;
Then Humility takes its root
Underneath his foot.
Soon spreads the dismal shade
Of Mystery over his head;
And the caterpillar and fly
Feed on the Mystery.
And it bears the fruit of Deceit,
Ruddy and sweet to eat;
And the raven his nest has made
In its thickest shade.
The gods of the earth and sea
Sought through nature to find this tree,
But their search was all in vain:
There grows one in the human Brain.
Some are not really causes
But just symptoms
And we misdiagnose
A sickness
For a symptom
Of the real sickness
The cause
And the effect
Are often interchanged
For instance
Is poverty the cause
Of crime
Or is poverty
Only the symptom
Of it?
For instance
Is ignorance
The cause of poverty
Or is it simply
An effect of poverty?
Or is poverty
Nothing but an effect
Of ignorance?
Or is poverty
Just an effect
Of an oppression
Of the rich
Taking much
From the poor
Who gets poorer
Everyday
Because there
Are no reforms
Coming
To solve
His poverty
His ignorance
His having to commit a crime
To survive
His poverty
His ignorance
His being a crime
Of
Society itself
who never cared
And wanted him
Who never
Instituted the much
Promised reforms?
And so you doubt
The cause and effect
The effect from cause
And if you did not mind so
Well
They may always be
Interchanged
And mistaken
For the symptoms
The conditions
That always
Are
there deceiving.
A Forest Hymn |
THE GROVES were God's first temples. Ere man learned | |
To hew the shaft, and lay the architrave, | |
And spread the roof above them—ere he framed | |
The lofty vault, to gather and roll back | |
The sound of anthems; in the darkling wood, | 5 |
Amidst the cool and silence, he knelt down, | |
And offered to the Mightiest solemn thanks | |
And supplication. For his simple heart | |
Might not resist the sacred influences | |
Which, from the stilly twilight of the place, | 10 |
And from the gray old trunks that high in heaven | |
Mingled their mossy boughs, and from the sound | |
Of the invisible breath that swayed at once | |
All their green tops, stole over him, and bowed | |
His spirit with the thought of boundless power | 15 |
And inaccessible majesty. Ah, why | |
Should we, in the world's riper years, neglect | |
God's ancient sanctuaries, and adore | |
Only among the crowd, and under roofs | |
That our frail hands have raised? Let me, at least, | 20 |
Here, in the shadow of this aged wood, | |
Offer one hymn—thrice happy if it find | |
Acceptance in His ear. | |
Father, thy hand | |
Hath reared these venerable columns, thou | 25 |
Didst weave this verdant roof. Thou didst look down | |
Upon the naked earth, and, forthwith, rose | |
All these fair ranks of trees. They, in thy sun, | |
Budded, and shook their green leaves in thy breeze, | |
And shot towards heaven. The century-living crow, | 30 |
Whose birth was in their tops, grew old and died | |
Among their branches, till, at last, they stood, | |
As now they stand, massy, and tall, and dark, | |
Fit shrine for humble worshipper to hold | |
Communion with his Maker. These dim vaults, | 35 |
These winding aisles, of human pomp or pride | |
Report not. No fantastic carvings show | |
The boast of our vain race to change the form | |
Of thy fair works. But thou art here—thou fill'st | |
The solitude. Thou art in the soft winds | 40 |
That run along the summit of these trees | |
In music; thou art in the cooler breath | |
That from the inmost darkness of the place | |
Comes, scarcely felt; the barky trunks, the ground, | |
The fresh moist ground, are all instinct with thee. | 45 |
Here is continual worship;—Nature, here, | |
In the tranquillity that thou dost love, | |
Enjoys thy presence. Noiselessly, around, | |
From perch to perch, the solitary bird | |
Passes; and yon clear spring, that, midst its herbs, | 50 |
Wells softly forth and wandering steeps the roots | |
Of half the mighty forest, tells no tale | |
Of all the good it does. Thou hast not left | |
Thyself without a witness, in these shades, | |
Of thy perfections. Grandeur, strength, and grace, | 55 |
Are here to speak of thee. This mighty oak,— | |
By whose immovable stem I stand and seem | |
Almost annihilated—not a prince, | |
In all that proud old world beyond the deep, | |
E'er wore his crown as loftily as he | 60 |
Wears the green coronal of leaves with which | |
Thy hand has graced him. Nestled at his root | |
Is beauty, such as blooms not in the glare | |
Of the broad sun. That delicate forest flower, | |
With scented breath and look so like a smile, | 65 |
Seems, as it issues from the shapeless mould, | |
An emanation of the indwelling Life, | |
A visible token of the upholding Love, | |
That are the soul of this great universe. | |
My heart is awed within me when I think | 70 |
Of the great miracle that still goes on, | |
In silence, round me—the perpetual work | |
Of thy creation, finished, yet renewed | |
Forever. Written on thy works I read | |
The lesson of thy own eternity. | 75 |
Lo! all grow old and die—but see again, | |
How on the faltering footsteps of decay | |
Youth presses,—ever-gay and beautiful youth | |
In all its beautiful forms. These lofty trees | |
Wave not less proudly that their ancestors | 80 |
Moulder beneath them. O, there is not lost | |
One of earth's charms: upon her bosom yet, | |
After the flight of untold centuries, | |
The freshness of her far beginning lies | |
And yet shall lie. Life mocks the idle hate | 85 |
Of his arch-enemy Death—yea, seats himself | |
Upon the tyrant's throne—the sepulchre, | |
And of the triumphs of his ghastly foe | |
Makes his own nourishment. For he came forth | |
From thine own bosom, and shall have no end. | 90 |
There have been holy men who hid themselves | |
Deep in the woody wilderness, and gave | |
Their lives to thought and prayer, till they outlived | |
The generation born with them, nor seemed | |
Less aged than the hoary trees and rocks | 95 |
Around them;—and there have been holy men | |
Who deemed it were not well to pass life thus. | |
But let me often to these solitudes | |
Retire, and in thy presence reassure | |
My feeble virtue. Here its enemies, | 100 |
The passions, at thy plainer footsteps shrink | |
And tremble and are still. O God! when thou | |
Dost scare the world with tempests, set on fire | |
The heavens with falling thunderbolts, or fill, | |
With all the waters of the firmament, | 105 |
The swift dark whirlwind that uproots the woods | |
And drowns the villages; when, at thy call, | |
Uprises the great deep and throws himself | |
Upon the continent, and overwhelms | |
Its cities—who forgets not, at the sight | 110 |
Of these tremendous tokens of thy power, | |
His pride, and lays his strifes and follies by? | |
O, from these sterner aspects of thy face | |
Spare me and mine, nor let us need the wrath | |
Of the mad, unchainèd elements to teach | 115 |
Who rules them. Be it ours to meditate, | |
In these calm shades, thy milder majesty, | |
And to the beautiful order of thy works | |
Learn to conform the order of our lives. |
A Green Crab's Shell | | |
by Mark Doty | ||
posted by purplehaze --reflections on finding beauty on Blacksand Beach July 2011 | ||
Not, exactly, green: |
During that summer
When unicorns were still possible;
When the purpose of knees
Was to be skinned;
When shiny horse chestnuts
(Hollowed out
Fitted with straws
Crammed with tobacco
Stolen from butts
In family ashtrays)
Were puffed in green lizard silence
While straddling thick branches
Far above and away
From the softening effects
Of civilization;
During that summer--
Which may never have been at all;
But which has become more real
Than the one that was--
Watermelons ruled.
Thick imperial slices
Melting frigidly on sun-parched tongues
Dribbling from chins;
Leaving the best part,
The black bullet seeds,
To be spit out in rapid fire
Against the wall
Against the wind
Against each other;
And when the ammunition was spent,
There was always another bite:
It was a summer of limitless bites,
Of hungers quickly felt
And quickly forgotten
With the next careless gorging.
The bites are fewer now.
Each one is savored lingeringly,
Swallowed reluctantly.
But in a jar put up by Felicity,
The summer which maybe never was
Has been captured and preserved.
And when we unscrew the lid
And slice off a piece
And let it linger on our tongue:
Unicorns become possible again.